A personal experimental photography project across Glacier, Washington, Seattle, and Vermont — landscapes shot on a 1960s medium format camera loaded with expired Fuji instant film. The locations were places I'd lived among for years: the river corridors and forest lines of the North Cascades, the quiet of the Vermont hills. Places that shaped how I see. Each frame was bleached after development to create a negative, then scanned at high resolution. The process strips the image back to its chemical skeleton — the dye layers separating, the edges dissolving, the emulsion recording not just what was in front of the lens but the passage of time inside the film itself. The resulting images carry the weight of something found rather than made.
